Le thème de la satire dans le théâtre Malawien

 

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dc.contributor.advisor Wynchank, Anny en_ZA
dc.contributor.author Msusa, Naomi en_ZA
dc.date.accessioned 2015-01-03T18:09:53Z
dc.date.available 2015-01-03T18:09:53Z
dc.date.issued 2010 en_ZA
dc.identifier.citation Msusa, N. 2010. Le thème de la satire dans le théâtre Malawien. University of Cape Town. en_ZA
dc.identifier.uri http://hdl.handle.net/11427/11158
dc.description Includes abstract. en_ZA
dc.description Includes bibliographical references (leaves 209-231). en_ZA
dc.description.abstract Malawian theatre, like most theatre in the southern region of Africa, is composed of two distinct forms; oral traditional theatre mostly comprising of masks, music and dance, as well as popular theatre which seeks to follow the definition of modern Western theatre. This thesis seeks to show how, of all the elements inherent in both types of theatre, the theme of satire is a recurrent feature and is often found to be the foundation of both types of theatre. The thesis considers how both traditional and modern theatres explore and exploit satire, and how this theme has contributed to theatre as a whole. It also looks at the history of theatre in Malawi, its role in society as well as the impact it has had on the nation as a whole, for example where it has been used as a social tool. en_ZA
dc.language.iso fre en_ZA
dc.subject.other Literature en_ZA
dc.title Le thème de la satire dans le théâtre Malawien en_ZA
dc.type Thesis / Dissertation en_ZA
uct.type.publication Research en_ZA
uct.type.resource Thesis en_ZA
dc.publisher.institution University of Cape Town
dc.publisher.faculty Faculty of Humanities en_ZA
dc.publisher.department French Language and Literature en_ZA
dc.type.qualificationlevel Doctoral en_ZA
dc.type.qualificationname PhD en_ZA
uct.type.filetype Text
uct.type.filetype Image


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